Walter/Wendy Carlos - Switched-On Bach

Stolen from Kaptain Carbon on waffles:
Many people today know the name Walter/Wendy Carlos through many movie scores including "The Shining," "Split Second" and "Tron."
The name Walter, or Wendy Carlos, is associated with a dense patchwork made of classical music and synthesizers. It is perhaps the movie "A Clockwork Orange" and the processed vocal climax of the Ninth Symphony that Carlos style and legacy is most known. Switched On Bach also represents one of the first landmarks in the complicated and rudimentary birth of electronic music. Carlos was not the first electronic musician in the 60s, however, it could be argued that he was among the most popular. Switched On Bach went on to win three Grammy awards in the next year and become the highest selling classical album to date. The late 60's was a time of great social change when many old institutions were being questioned and destroyed. Carlos' electronic reinterpretation of Johan Sebastian Bach is unlikely to remembered as socially revolutionary as other musical acts or events at the time. However, the popularity of Moog-based classical music, for better or worse, represented a shift in consciousness on the nature of traditions. Sure, there were older reinterpretations on classical pieces including Spike Jones' zany pillaging of the classics. However, Carlos' works are based off of sound rather than comedy. Switched on Bach remains one of the most popular Moog-based classical albums. For Carlos, the sound of Switched on Bach spawned many sequels and variations and remains artistically tied to the composer. It is the polarity between the electronic sound and baroque composition that makes the album timeless, or rather caught in a vacuum, vortex or hyper-dimension.

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